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Month: April 2019


Carrara on the West coast of Italy, our home for the next four nights.

Carrara is a Tuscan city on the Mediterranean Coast and is known for the quarries of white and blue-grey marble – the stuff Michelangelo carved his famous sculpture David from.

On our 3rd night in Carrara we were on the hunt for something to eat (being Easter most places were shut) and came across your average Pizzeria that was thankfully open. While waiting outside we were approached by a young lady who asked in Italian if we knew of any good restaurants???? She must have read the bamboozled looks on our faces, and quickly switched to English. We had a great chat and it turned out she was from the Chezch Republic, but based in Germany and studying sculpture in Carrara. We got talking about Carrara, these were the words she used to describe it “it’s like the Chezch Republic under communism – everything is falling apart”. She also shared the following observations ” German’s pay money for good housing and cars while Italians, they spend their money on clothes”.

Fantasy Store!!!!…..get your laundry liquid….

Giant marble blocks, look like sugar cubes from afar
So many fig trees! Shame they weren’t ripe!!!
Heading up to the marble mine
Figzzzzzz leafzzzzz!
The mountain from which the Marble is mined.

Stray marble block!
Stray Marble Head on a Block

While in Carrara, we had more of an opportunity to learn and employ a few Italian words. I got into the habit of taking photos of messages in windows, hand written signs etc.  Then when home we would attempt to decipher them ourselves before translating them into english via google translate. Unfortunately you cant make it out in the photo, but the paper handwritten message taped to the back of this motorcycle read “merde di pasqua”. Translated It said “easter shits”. Perhaps the real meaning was lost in Google translation either way it had us in hysterics. And we learnt ‘merde’ our first Italian slang word.


She’s off to the Boom Boom!
Classic Carrara streets

I didn’t manage to see David, the masterpiece of Renaissance sculpture created in marble between 1501 and 1504 by the Italian artist Michelangelo. David is a 5.17-metre marble statue of the Biblical hero David. You can see the Sculpture in Florence at the Academy Gallery. I did however study the replica which is situated in the original’s position in the Piazza della Signoria.

Seeing the sculpture in the flesh (even if it was the copy) then finding more examples of Michelangelo’s work online did give me a greater appreciation for his work. From then on every other representational stone sculpture I saw on the streets, in churches, museums never quite compared to that of Micheangelo’s.

View over Carrara

Over Easter Mitch and made a day trip by train to Riomaggiore, a village in the province of La Spezia, situated in a small valley in the Liguria region of Italy. It is the first of the Chinque Terre one meets when travelling north from La Spezia.

Cinque Terre is a string of centuries-old seaside villages on the rugged Italian Riviera coastline. In each of the 5 towns, colourful houses and vineyards cling to steep terraces. The Sentiero Azzurro cliffside hiking trail links the villages and offers sweeping sea vistas.

Riomaggiore inspired paintings by Telemaco signorini (1835–1901), one of the artists of the Macchiaioli group.

Deep in Riomaggiore




I had a headache the morning we left Venice, by the time we arrived in Florence I had a raging migraine. I was a complete write off for the rest of the day and the following morning.

How do you to get into the right frame of mind for visiting a crowded, gallery? Being one of many, many other gallery goers all jostling for a view of this and that can be seriously draining not to mention uninspiring!!! Your frame of mind influences your mood which in turn influences your attitude towards something.

The following three factors all helped me to stay in a good frame of mind during my visit to the Uffizi.

  • Being by myself and having the whole day to cruise through the collection at my leisure.
  • Having a purpose and a goal, helped me get over the crowd related discomforts.
  • Having an audio guide of some sort – I used American travel writer Rick Steve’s mobile app, his Uffizi Gallery Tour lasts 50 min and you can download it for free online. Wearing headphones and listening to a guided presentation helps tune out all of the busy activity.
‘Statue of a woman, at the Uffizi Museum,’ Digital Photograph 2019
‘Statue of a woman, at the Uffizi Museum,’ Digital Photograph No 2, 2019.
‘Statue of a woman, at the Uffizi Museum,’ Digital Photograph No 3 2019.
Photographic series of the ‘Statue of a woman’

I found an advantage to being in a space full of people. I could take photos of strangers without being creepy or imposing. I set up the camera to photograph an early 2nd century CE Roman ‘Statue of a woman,’ displayed in the Sculpture Hall (a busy thoroughfare.) I only managed one photo before people started to walk in-front of me seemingly oblivious. Instead of getting frustrated I just continued to take photos as no one seemed the least bit bothered by it.

I liked the photos, especially the contrast between human and statue. When compared to the unchanging, solid statue form in the background, the foreground human figures blurred with movement, appear temporary and fleeting.

The Uffizi Gallery
The Venus dé Medici (1st century B.C.)

Before visiting the Uffizi, I installed Rick Steve’s mobile app on my Iphone. The app provides individual guided tours of some of the world’s most visited galleries. I used this app on my Iphone with headphones to navigate the collection. Not only was it free It was also very very helpful.

The tour takes you on a chronological journey of Italian Renaissance art. You get a clear insight into a period in European history, covering the span between the 14th and 17th centuries and marking the transition from the Middle Ages to modernity. You also get to see the ancient world stone sculptures that inspired the Renaissance painters.

Bellow are some pictures of a few of the artworks, in the order of which they featured on the self guided audio app.

Giotto – Madonna and Child (circa 1310)
Botticelli – The Birth of Venus (c. 1485)
Michelangelo Buonarroti – The Holy Family (c. 1506)
Parmigianino – Madonna of the Long Neck (c. 1540)
Titian – The Venus of Urbino (1538)
Walking in Florence

Miró, an artist whose work I saw and loved in Venice, says he gets inspiration for his painting’s from his daily walks.

” I find the the most favourable atmosphere…..in my daily walks: the noise of horses in the country, the creaking sound of wooden cartwheels, of footsteps, cries in the night, crickets. The spectacle of the sky dazzles my mind. When I see the sun or the crescent of the moon in the immense sky, I’m absolutely overwhelmed.”

Ahhhh quiet Florence alleys/streets.
Photo taken on a casual stroll up away from the busy city centre into the hills
Looking down on Florence from the hills.
Cool bug

Tomorrow we are heading North West to Carrara which is off the popular tourist route. Carrara is a Tuscan city on the Mediterranean Coast and is known for the quarries of white and blue-grey marble – the same stuff  Michelangelo carved his famous sculpture David from.

With a population of only 60 thousand Carrara will feel much smaller. I am looking forward to a break from big cities and a little down time to process all that I have seen and learnt.

Venice Day Two

The Scrovegni Chapel
The Scrovegni Chapel
Inside the The Scrovegni Chapel

Located in Padua, approximately 30 mins train ride from Venice in a small church known as The Scrovegni Chapel, are Giotto’s famed fresco’s. What a privilege and joy it was to visit Padua and see these 13th century frescos in person.

‘Fresco’ refers to large scale painting done on wet plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster. With the setting of the plaster, the painting becomes a permanent part-of the wall.

The Inside of the Scrovegni Chapel is entirely covered in a fresco which tells the story of Christ through pictures. With even the ceiling being painted, you get the feeling you are incased by images.

The painted ceiling

Here is what I knew before setting foot in the small church:

  • The chapel was built and commissioned to Giotto by a successful banker named Enrico Scrovegni.
  • Scrovegni commissioned the building of the chapel to compensate for the sin of usury.
  • In Catholic belief, usury (charging interest) was a sin and Scrovegni hoped this act would help his soul go to heaven.
Close up of the damned in Giotto’s Vision of Hell
Detail showing nude figures coming out of tombs. These nude figures were representative of the souls to be judged by christ.

So far I have learned a great deal more about art and art history. I can now recognise certain artistic styles. Seeing these works of art in context has been an unforgettable and enriching experience for me. Understanding the stylistic periods of classical, medieval, gothic and renaissance art, has given me an even greater appreciation for artists like Michelangelo and Giotto.

The story of Christ and his parents
thinking about the frescoes in the context of which they were made

In ancient Greece and Rome, artists embraced the realities of the human body and the way that our bodies move in space (naturalism). For the next thousand years, after Europe transitioned from a pagan culture to a Christian one in the middle ages, the physical was largely ignored in favour of the heavenly, spiritual realm.

Most of the population of Europe was illiterate and couldn’t read the bible. People learned the stories of the Bible that would help them get to heaven, by hearing the words of the priest in the church, and by looking at paintings and sculptures. Medieval and gothic paintings typically depicted and flattened symbolic human figures.

Giotto’s Crucifixion, depicts Mary Magdalene weeping with intense grief at christ’s feet. Her distress is reflected in the cries of the angels, soaring over Christ’s body in the sky.
The Lamentation
Detail from The Lamentation, (Scrovegni) Chapel, Padua, c. 1305

Here are some ways in which Giotto’s painting moved beyond the Medieval style of spiritual representation.

  • Christ is represented as dead, which puts an emphasise on him as being physical and human.
  • Giotto chooses an earthly landscape setting for the lamentation of Christ.
  • The two seated figures with their backs to us and the foreshortened bodies of the angles in the sky create the illusion of space.
  • The scene appears to be played out by a real group of people. The figures are in active, natural poses: leaning, holding, sitting, and bending. They are monumental and solid unlike the floating figures of medieval art.
  • Sorrow is expressed in a variety of ways on every face.
Detail from The Lamentation, (Scrovegni) Chapel, Padua, c. 1305

In the above scene I was drawn to the three urns/ceramic jugs lined up on the table at the lower right hand side. I giggled when I noticed the well rounded gentleman who seems to resemble the shape of the jugs. Both the character and the situation seem intentionally humorous. It made me want to spend more time in there to see if I could discover any other examples of Giotto’s sly comedic wit.

The monochrome allegories of Vices and Virtues
Giotto’s Envy

These figures depicting the ways of good verses evil are very potent. The most striking was the figure of Envy, in profile, engulfed by flames. She is clutching a bag but reaching in her other hand for something she does not have, not content with what she has, Envy wants more. A snake emerges from her mouth and doubles back on itself to stare her in the eyes because it is what she sees that bites her.

Looking at Giotto’s frescos made me feel profoundly human. I left feeling rather content with the life cycle as it presents in birth, life and death – my own fragile and beautiful mortality.


Arriving in Venice by train

We were happy to be in Venice after a big day of traveling but we quickly realised neither of us had mobile reception and with no data either, we were unable to contact our host who was to meet us when we arrived. We left the station and unenthusiastically navigated a sea of tourists eventually finding the gateway to our place.

With no way to access our accomodation we proceeded to ask strangers if we could use their phone. Eventually, Roberto, a friendly restaurant worker standing out on the street dropped his sales pitch and went all out to help us.

We were relieved when a woman walked up to greet us then showed us to the accomodation. We were expecting what we had booked which was a bedroom with shared utilities on street level. Instead we got a stylish apartment all to ourselves, with views above the street, not bad.

The Venice Apartment
View of the street from the window of the apartment
Children playing with chalk on the street below
Dinner out in Italy
Ravioli pasta, Pizza corperto/bread.

After settling in to our accomodation we went out for dinner at the restaurant of the man who helped us when we arrived. For the majority of our trip we’ve eaten prepared meals from supermarkets or food from small street vendors and bakeries. This was our first dine in experience. I had a delicious ravioli pasta and Mitch had pizza.


The Peggy Guggenheim Collection at the Palazzo Venier dei Leoni
Venice canal

The city of Venice is made up of 117 islands that are linked together by water canals and numerous bridges. It was a stroke of good luck that the morning after we arrived, we managed to find our way through the labyrinthine streets and alleys to the Peggy Guggenheim Collection first pop, right on time for opening, only to get lost every other time thereafter.

Wisteria decorating the Entrance to the Palazzo Venier dei Leoni, which houses the Peggy Guggenheim Collection
Veiw of the canal, from inside the the Palazzo Venier dei Leoni

A collection of important surrealist and abstract art is housed in the Palazzo Venier dei Leoni, an 18th-century palace, which was the home of the American heiress Peggy Guggenheim for thirty years.

Peggy Guggenheim was a gallery owner and art collector with an eye for undiscovered talent. She exhibited and supported the likes of Jackson Pollock, well before he gained notoriety.

Joan Miro, Dutch Interior 2, Oil on canvas. (Collection of Peggy Guggenheim)
‘Children Teaching a Cat To Dance’ by Jan Steen

I studied the formal aspects of Surrealist Joan Miro’s painting titled ‘Dutch Interior Two’, paying close attention to colour, line, shape, texture, and other perceptual aspects. It wasn’t until I read the title ‘Dutch Interior Two’ that I began to consider the content of the work.

When I left the gallery, I did some research online and found out that ‘Dutch Interior Two’ is one of a series of three paintings, made by Miro in 1928, each inspired by Dutch Golden Age paintings of Dutch interiors.

Miro’s ‘Dutch Interior Two’ is a reinterpretation of ‘Children Teaching a Cat to Dance’ by artist Jan Steen. Miro’s abstract adaption fascinates me and when I get home I intend to set some time aside to look at all three of the Dutch Interior paintings by Miro.

The Nature of Arp

I was more than pleasantly surprised to find on show at the Palazzo Venier dei Leoni a temporary exhibition of work by German-born French Dadaist/Surrealist Painter and Sculptor, Jean Arp.

Jean Arp, Two thoughts on a Navel, 1932, painted plaster.

Jean Arp opposed to hierarchical structures, sought to create art that was free of self importance. ‘Two Thoughts on a Navel’ (pictured above), has three parts to it. By encouraging the viewer to move the pieces about how ever they pleased Arp effectively shunned traditional ideas around authorship in art.

In the above work a slug-like object appears to be crawling over a form suggestive of a human navel. By combining a part of the human body with one of the lower forms of animal life, Arp appears to be making fun at the concept of human supremacy.

Arp produced simple forms, which possess the bare minimum of information required for them to make sense. Open to many interpretations, their hidden sensitivities invite the viewer to a vast number of alternate perspectives.

Jean Arp, Prima carta strappata. 1932
Brush and black ink, over graphite, on tan wove paper

Tomorrow we are off to see Giotto’s Fresco’s at The Scrovegni Chapel, a small church, located in Padua approximately 30 mins train ride from Venice.



Train rides and Grenoble

Pretty Grenoble


Mitch on the train


Me on the train


Speed on train

A good part of this trip has been spent on trains, booking trains, navigating train systems, catching trains within a city or catching trains from city to city/country to country.

All credit goes to Mitch, he is truly amazing and this trip wouldn’t be the same without his incredible knack for researching. Although we booked the trip together Mitch saw to the most important, practical details like booking trains, researching whether it was feasible to get to our airbnb accomodation from the stations etc. So far he has accounted for everything, down to the smallest of details. Furthermore Mitches communication skills are incredible, his wonderful kind and perceptive personality has helped us negotiate and enjoy each and every one of our fantastic Airbnb hosts  homes.

Traveling by train is such a great way to travel. Time on the trains just disappears, I think its because the seats are so comfy, the views so novel and the ride so smooth and relaxing. It is also cheaper and better on the environment than traveling by car.




After spending four full days in Paris, Mitch and I were both looking forward to heading to Grenoble.  Grenoble, a city in the Auvergne-Rhône-Alpes region of southeastern France, sits at the foot of mountains between the Drac and Isère rivers. Mitch really wanted to go here to ogle some mountains, here he is doing just that below:


Mitch loves mountains
The Bastille fort
I love a good hill, such a welcome change from walking the flat streets of Amsterdam, Brussels and Paris.

The Bastille is the name of a fortress culminating at 476 m above sea level, located at the south end of the Chartreuse mountain range and overlooking the city of Grenoble, France.

We were both so happy to get off the streets and amongst nature.


Turret off of the fort which has been creatively livened up.

Unfortunately on both of the treks we made up the hill, it was quite hazy and we needed a clear day to see the highest most majestic mountain peaks.


Our accomodation in Grenoble

Above is the front door to our accomodation, a lovely self contained apartment located on the third floor, opening out onto a street in the historic part of Grenoble. Chez is French for ‘at’ and JuJu means magic charm.  ‘At Magic’, was the perfect way to describe our stay here which we really wish we could have extended.

Our cute apartment

Although we are on the other side of the world where the architecture is different and people speak other languages, no where we have been is really that dissimilar from home in New Zealand.  Mitch and I are comforted by, and even laugh about, how similar people are no matter where you go. We have been moved by the endearing kindness people have shown us, and have generally found that when you present in need, people will go out of their way to help you.

Mum, Dad, Zane, April, Archie and Asha, these pics below are especially for you. Spot the name of the bar!


Bar Le Coromandel

Aside from the mountains the other reason for choosing to stay in Grenoble was for the art. Musée de Grenoble is known for its collections of ancient art as well as its collections of modern and contemporary art. The works at Musée de Grenoble were so good and so vast that I paid to visit the museum two days in a row. I was so inspired by my visits and am working on an Art Grenoble post.

Next stop is Venice to visit the the Peggy Guggenheim Collection of modern art and the Scrovegni Chapel in Padua, which contains a fresco by Giotto.



Mitch starts the day off with flixonase medication. George the cat snuck into our room for cuddles first thing in the morning.

“Seeing comes before words. The child looks and recognises before it can speak.”

John Berger, Ways of Seeing.1


We are traveling through foreign countries whose language’s we cannot speak. John Berger’s quote is reassuring.

Whilst taking photos at the gallery a couple from the North of France came up to me to ask in French what kind of camera I was using. I awkwardly gestured and proclaimed no Français. They proceeded to speak in English asking where I was from and why I had come to Europe, then we started talking about our mutual appreciation and enjoyment of art. Towards the end of our conversation I said how lucky I thought they were to have all this wonderfull art on their doorstep and they responded ‘yes but we don’t understand it’. I wish I could have recalled the above quote from John Berger for them.


Picasso Gallery


Admittedly on our first and second visit’s to galleries in Amsterdam I felt uncomfortable. I was experiencing imposter syndrome, I felt I didn’t know enough because I couldn’t recall periods in the order that they happened in Western art history, and that my interpretation of the work’s of art would be lacking. Only after multiple gallery visits did I start to relax and feel more comfortable, realising that I am here to learn and to relish looking.

picasso museum
Pablo Picasso, Boisgeloup sous la pluie, 1932

This morning we got a sleep in because unlike most galleries which open at 9 am the Picasso gallery didn’t open until 10:30. We have learnt to be at the galleries half an hour before opening times to avoid huge queue’s. Once inside the gallery we were pleased not to have to wait in a line or negotiate crowds. As soon as we picked up our audio guides and checked in our bags and coats we set off to look at some art.

Picasso experimented with all sorts of styles, ideas and mediums. There was such a variety of work on display including paintings, drawings, collages, print’s, ceramic’s and sculptures which made for a really interesting viewing experience.


Pablo Picasso, Minotaure au poignard assis sur une pierre

Picasso was influenced by many major works in art history including but not limited to works by Eugene Delacroix, Edouard Manet, Auguste Renoir, Henri Matisse, Joan Miro, Edouard Vuillard and Henri Rousseau. We got to see a few of the great masters works from Picassos own art collection.


Edouard Vuillard, La Berceuse: Marie – Roussel au lit, Fin 1894


Henri Matisse, Tulipes et huitres sur fond noir, 1943

The work by Manet alone inspired Picasso to complete 140 drawings and 27 paintings. Picasso made cardboard models appropriating and reinterpreting Manet’s figure’s. In his paintings Picasso experimented further with changing the figures attitudes and positions.

I am loving viewing in person paintings that I have pored over for years in books. I am also enjoying studying multiple works by the same artist side by side, room by room which help’s me gain more of an insight into the artist’s processes and methodologies.


Cardboard cut-out’s


Cardboard cut-out’s


Cardboard cut-out’s


Pablo Picasso, Le Dejeuner sur l’herbe d’apres Manet, 1961


Art is everywhere, the more we look the more we see.


Took this photo of a floral arrangement through a window on the street on our way back home from the Picasso Museum.
Farewell, Au revoir gentilly


Buildings in Gentilly


Last snaps of Gentily, heading for Grenoble tomorrow.

Paris jour trois

The Louvre, is the world’s largest art museum and a historic monument in Paris, France. Mitch and I started our visit in the lower most level of the Louvre, walking around the foundation in what was the moat of the original 13th century castle. By the 14th century the Louvre had become a royal home and later still a renaissance palace.

The Louvre is amazing and exhausting! There is room after room after room of stuff to see. We were there for 3 hours and saw just a very small portion of the museum.

I was probably equally impressed by the building/architecture than the collections themselves. Two works in particular I spent time admiring were Rembrandt’s ‘Bathsheba at Her Bath’ and ‘Liberty Leading the People’ by Eugène Delacroix.


‘Bathsheba at Her Bath’

Prior to this trip I hadn’t come across the work of Delacroix but I am fast becoming a huge fan. Eugène Delacroix was one of the giants of French painting. In Amsterdam at the Van Gogh Museum I learnt how Delacroix’s theory of colours had a huge influence on Vincent Van Gogh.

While the above scene of David spying on Bathsheba had been painted before, Rembrandt’s sensual and empathetic depiction differs in its tight pictorial focus and erotic vitality. Seeing this painting in the flesh you appreciate the broad, thick brushstrokes and the masterful use of light and dark.


Department of Greek, Etruscan and Roman Antiquities
Napoleon’s appartment


Napoleon III opulent apartment interiors are an example of the rococo style for which the eighteenth century was famous.

Birthday Quiche


Lunch at the pond

Today on the 8th of April 2019 I turned 34 years old. Birthday Lunch in Paris. Here we are celebrating post Louvre eating lunch in the Tuileries gardens.

Arc de Triomphe

It was a hot afternoon and I complained the whole way as we walked down the Champs-Eleeyes which was full of people. It is a lot of walking, but worth it to see the Arc de Triomphe as it is one of the most famous monuments in Paris, France. Its amazing cars ever get off this round about it’s so chaotic.

Arc de Triomphe
Sunset in Gentilly
sunset turning buildings pink


more of the sunset


Paris Day 2

Waiting on Sunday Morning for the Musée de l’Orangerie to open

The Musée de l’Orangerie is an art gallery of impressionist and post-impressionist paintings located in the west corner of the Tuileries Gardens.

On the first Sunday of each month it is free to visit most of the big museums in Paris. We were lucky enough to arrive in Paris on Saturday and be able to take advantage of this.

The de l’Orangerie is home to Monet’s larger than life water lily paintings. The Nymphéas [Water Lilies] cycle occupied Claude Monet for three decades, from the late 1890’s until his death in 1926, at the age of 86. This series was inspired by the water garden that he created at his Giverny Estate in Normandy.


Monet’s water lillies


Monet’s water lilies

The water lily paintings shattered the norms of landscape painting at the time. Critic Louis Gillet commented “there is no sky, no horizon, hardly any perspective or stable points of reference enabling the viewer to orient himself.” They are beautiful to get up close to.


Close Up

Also on Display in the permanent collection where paintings by, Paul Gauguin, Matisse, Monet, Rousseau, Renoir, Soutine, Cezanne, Derain and others.


the Tuileries Gardens

Six hours later I emerged from the de l’Orangerie to stroll through the Tuileries Gardens with Mitchell. The Tuileries gardens originally belonged to the Palace, before becoming a public park after the French Revolution.


Tulips in the Tuileries Garden


The Tuileries Garden with the Louvre in the distance


The Tuileries Garden


Eiffel Tower


Fresh off the train, into Gentilly.


Arriving at our accomodation in Paris relieved after 45mins of wandering the streets of Gentilly. Navigating old school style with no mobile data.


Our lovely accomodation

We arrived in Paris by train on Saturday morning. After we dropped our bags off at our accomodation in Gentilly, a small suburb south of Paris central, we took a train back to the centre to check it out and familiarise ourselves with the museum locations and train system.


Seine River




Wandering down the Promenade in the sunshine

When Mitch and I walked up from the subway and onto the streets of Paris, we were both gobsmacked and goggle-eyed, neither of us had expected Paris would be so big. The sheer scale of the place took our breath away. The footpaths were as wide as roads, the buildings were majestic and the importance of it all seemed unreal.

We walked the Promenade, through the Tuileries Garden around the Louvre and the Musée de l’Orangerie. By the end of the day we were pleased to be boarding the subway train and heading south back home to Gentilly, our quiet, normally proportioned suburb. Dinner (packaged salads and baguette from the supermarket) in the garden was heaven sent.

Dinner in the garden, our first night at our accomodation in Paris


The garden



The Streets of Brussels
Grand Place


The Saint – Nicolas Church


Archeological dig site

We spent one and a half days two nights in Brussels. After a tight gallery going schedule in Amsterdam, both Mitch and I were content to amble about Brussels streets. Drinking beer and wine and eating fries and Greek falafel filled pita pockets.

We ended up in all sorts of grand, historic places and churches. We witnessed a muslim wedding and even came across an archeological dig on a central construction site several metres below the side walk. It looked like they were uncovering a stand of ancient tree stumps.

We walked straight off the street into the Saint – Nicolas Church, a gothic church that originated from a chapel founded during the XII century, close to the Grand-Place. Restored several times, only a few remainders of the original church are left. We were wowed by the stained glass windows, scale and grandeur of the place.


Beer in Brussels


The Al Bar of Brussels






Our street, centrally located


Our accomodation

Our apartment was a perfect fit for us. I came away inspired with ideas galore and we are eager to try them out when back home. I Loved the interior colour scheme of cream doors, stark white walls and soft grey. The sophisticated colour scheme was livened up using splashes of colour, mustard yellow in the kitchen and in our bedroom a rich reddy orange feature wall.

Also when we get home I am going to have a go at making up some pot plant wall shelves like the ones in the photos below.

Make shift shelves for pot plants


Make shift pot plant shelves


Bedroom in Brussels

We left Brussels early in the morning for the central train station to catch a train to Paris, where we will spend the next four days visiting galleries and exploring the gardens and older parts of the city.